Tuesday, June 16, 2009

Stitch Britch Fork House Museum


A new museum is now open in Riverhead Long Island down the street from the Flanders Giant Duck
Ready for the residence of the 2 forks to fill with their forked goodness.
Note Andrea Cote, the curator of the Found Show's
Equalateral Triangle Rock Collection.







This project was realized for Art Sites in Riverhead Long Island, Where the north and South Fork Meets

Henry Hudson Mutiny Memorial Drive-Thru Kiosk

2009 Byrdcliffe Outdoor Sculpture Exhibition
June 13 – October 12, 2009

16 Hudson Valley architects have designed and constructed “memorials” to Henry Hudson who never received a proper burial because his body was lost at sea after his crew mutinied. The outdoor installations are constructed at the historic Byrdcliffe Arts Colony on Upper Byrdcliffe Road, Woodstock.

http://www.woodstockguild.org/ahoy/




Crotch Rocket(of the trees)




Me and Christopher Robbins threw this one up the other day, awaiting the hammock and netting.

Sunday, May 24, 2009

Architectural Cribbage Synopsis


Exploring alternatives to the gallery system
Time Out NY April 16th, 2009

LINK

As many of our favorite glass-fronted white cubes scuttle their Chelsea operations, pressured by exorbitant rents and stagnant sales, it’s a great time to take a harder look at those individuals and institutions harnessing their ambitions to unconventional structures and spaces less affected by the slump, as these ways of “thinking outside the box” are proving to have staying power. Whether art spliced with sustainable city planning or a call for artists to build their own structures that operate as ad hoc museums, the below projects are related in their relative freedom from or flaunting of contemporary market concerns.

“Unbuilt Roads”
e-flux, 41 Essex St between Grand and Hester Sts (212-619-3356). Subway: F, V to Lower East Side–Second Ave. A gallery presentation of the 1997 book project by Hans Ulrich Obrist and Guy Tortosa, this show offers the unrealized proposals of 107 artists (Louis Bourgeois, Robert Rauschenberg, Jenny Holzer, the Chapman Bros., etc.) in blueprint pages spanning the gallery interior. Though it’s installed in a conventional white-walled context (e-flux’s new LES space), experiencing the show means entering the speculative environs generated by some of art’s more ambitious thinkers—there is a wonderful freedom in the fact that these vaulting ambitions are completely unrestrained by material tethers.

“Vertical Gardens”
Exit Art Underground, 475 Tenth Ave between 36th and 37th Sts (212-966-7745). Subway: A, C, E to 34th St. Through May 23. The third in an Exit Art series, SEA (Social Environmental Aesthetics), this show brings architects and artists together to present existing vertical farms, urban gardens and green roof projects, as well as speculations on a future of more sustainable urban planning—visions with a deliciously sci-fi effect. Free lectures on April 21 and 22, and an indoor composting workshop, are detailed here.

Matt Bua, “Architectural Cribbage”

Ongoing. Matt Bua’s “Architectural Cribbage” amounts to a platform for empowering people to define their own architectural surroundings, free from the normalizing strictures of building code. Through an ongoing open call, Bua along with Max Goldfarb organized a clearinghouse of hundreds of visionary architectural drawings ( available online at www.drawingbuilding.org, which serve as potential designs for 12-by-12-foot structures built at Bua’s woodsy Catskills site, “b-home”). Artists are encouraged to install their own personal collections of odds, ends and artworks inside their visionary structures—an upheaval of gallery and real-estate conventions alike.—Brian Zegeer

BLDG BLOG - crib notes


Geoff Manaugh's thoughts on Cribs to Cribbage

Infantospatialism, or: adventures in crib design


CRIBS by Matt Bua is a "Kidpspace exhibition" at this sprawling, industrial-warehouse-turned-modern-art-museum in northwestern Massachusetts.
While CRIBS itself features "an overloaded crib complete with hanging mobiles, recorded 'lullabies,' and the bars that keep the infant safe," the exhibition's second part, ...To CRIBBAGE, is a kind of spatial escape act: the crib has come alive and is climbing out a nearby window: "To escape the chaos of the cluttered future that encroaches on it, the crib must breech the gallery walls, pouring itself down on the museum's entrance below."
Child-sized visitors can, in turn, crawl inside it: "This piece of crib can be entered outside the museum to experience the collaborative 'building game' Bua calls Architectural Cribbage, a game in which he encourages others to start constructing their own small-scale visionary spaces."
The dinosaur spine-like spaces created by this apparently sentient crib-structure – it's Lebbeus Woods meets Lincoln Logs by way of vertebrate biology – would seem rather nightmarish from a child's perspective, I'd imagine, but there's also a spatial honesty to that. After all, one of the earliest architectural spaces that a modern human being experiences is a small, enclosed space, locked behind bars – so cribs aren't necessarily reassuringly womb-like environments.
In fact, I don't mean to show up 100 years late to the child-rearing game here, but surely there has been some architectural writing about the formative psychological influence that such cribs might have?
At the very least, this sounds like an amazing article for Volume magazine: Jeffrey Inaba and Benedict Clouette visit the world's largest crib designers and manufacturers – in Holland, the States, Canada, Japan – and, amidst on-the-spot New Yorker-style reportage direct from the factory floors (the milling machines, the workers, the design team and their tables full of Macs), they show multiple photographs of different crib spaces. Dimension, color, material choice, layout. It's the crib as primordial space research.
Pair this, then, with a series of short interviews with development psychologists – and even neurophysicians who have taken research into spatial perception and the infant brain into uncharted realms – and you're talking National Magazine Award, baby! Damn. I'd read that.
Matt Bua's CRIBS is on display at MASS MoCA till September 7, 2009.

Cord wood sauna with face



The half free morel- found on the drive way

Jesse and Suzzane's Day and a half "house



Friday, May 1, 2009

Saturday, November 22, 2008

Sauna in progress




Almost completed 3 story, Dug in Sauna.
Wood stove fired


Photo Credit: Stephen Hren

Thursday, August 7, 2008

Wednesday, July 23, 2008

Friday, June 27, 2008

10 structure ideas


A Few b-Home Structures

1. “Lower case a frame house”: The almost spherical structure’s shape will emulated a lower case letter a, continuing the A-frame house tradition. Viewers observing the house from the other side, will encounter a lower case B for “b-Home”.

2. The “Well House”: Also called the Well, Well, Welles House, this structure will house the working hand pump that will supply b-home with potable water. The Well House’s main skeleton with be made of 3 over sized W’s. Inside the Well House will be a library focusing on three men: H.G. Wells, George Orwell, and Orson Welles.

3. The "T- house" -small house shaped like the letter T which would be used for
-Japanese tea ceremonies
-Final resting spot for your favorite old T-shirts
-Homage to the HQ of DC comics Teen Titans, which was shaped like a T
-In Aldous Huxley’s book Brave New world, a giant T building the messianic figure:Henry Ford’s Model T, and “Oh lord” in the book was exchanged with “Oh Ford”
-a tribute to other "T" buildings: El Lissitzy's, Marcos Acayaba's, and Simon Ungers and Thomas Kinslow's

4. The "Old News" House (also called the Junk Mail House). A conical styled dome structure that uses recycled bundles of newspapers, magazines, and junk mail as building material. The technique would emulate the Adobe brick style in which the exterior would be properly treated with plaster and lime to withstand the elements. This houses motto will be “old news is good news” or “read it and reap”.

5. “Tree Glove Story House” is a structure which takes discarded Christmas trees and uses the Native American Indian building structure, the Kick-a-poo Wigwam as a template. This structure would house a lost-and-found repository for gloves and a museum for all things Glove related. The outer skin of the house would be made of hundreds of gloves donated from the once largest manufacturing of gloves in the world in Upstate New York, Gloversville.

6. “The Crate House” - Various Art Crating Companies would sponsor the creation of Small Structures which would mainly use recycled art crates as their main building block. These heavy duty wooden boxes are made to transport priceless art safely around the world and then upon return ,broken up, thrown in dumpsters and sent off to the land fill. This Structure may come closest to the Le Corbusier ,modernist house.

7. Big Rock Candy Platforms - There are a few big rocks(10’x6’x8’) on a slope that lie on the b-Home grounds which will have level platforms with roofs installed on top of them.As the earth slowly moves the Boulder over the years due to frost heave, the level-ness of the platform will be closely documented.The large grape vines which at the present time grow on the rock will be trellised for extra shade and eventually used .

8.The Greene House- A working Green House which would pay tribute to the county in which b-Home is located along with giving homage and incorporating other Architects with the last name "Greene"...
-David Greene( from Archigram)
-Herb Greene
-Greene and Greene
A main feature of the Greene House will be insulated panels which consist of clear plastic ”trash”(2 liter bottles, packing and wrapping material etc.) sandwiched between 2 pieces of donated plexiglas from picture framer’s cut offs.

9. Super Th attached-Skin-Creature House - partly an ode to the recently closed Catskill Game Farm and to LUCY the Margate N.J. elephant along with incorporating other "Roadside Animal Architecture" which lies along the Dusty roads of the American highways. These Zoomorphic architectural styles have long been influencing such contemporary architects such as Zaha Hadid, Frank Gehry, and Grimshaw

10. The Knot house(also called the Bonsai Mausoleum) Another Discarded building block are the knots and abnormalities from the locally milled trees. With these donated hunks of wood a small structure will be built that would house a collection of fail Bonsai tree’s.

Thursday, June 12, 2008

(Still #2) East Coast Unit





Allison Wiese

(Still #2) East Coast Unit
Shed, hot water heater, plumbing fixtures, hoses
2003-Present

Tornado damage





The Chainsaw

Friday, June 6, 2008


Digging for the cordwood sauna has started